Showing posts with label THE AUTUMN OFFERING. Show all posts
Showing posts with label THE AUTUMN OFFERING. Show all posts

Friday, October 10, 2008

THE AUTUMN OFFERING - Revelations Of The Unsung


THE AUTUMN OFFERING
Revelations Of The Unsung
Victory Records
9/10




Victory made a wise decision in reissuing this 2004 Stillborn debut from Florida’s The Autumn Offering, a richly textured, incendiary effort that rivals the excellence of metal’s best. Literally attacking the senses with abrupt shifts in time signatures, highly diverse guitar work and distinctly refreshing emotional variations, The Autumn Offering score big with hard-hitting visions of sonic dynamite such as the balls-out opening cut “The Great Escape” and the majestic yet unruly rager “Revelation.”

Vocalist Dennis Miller snarls his way through the disjointed headbanger “Calm After The Storm” as if he is due for a rabies shot, but the singer also interjects several different types of voices that break things up in a very non-patterned manner. Check out this song for a ripping lead, suggesting The Autumn Offering not only have the powerful sound, but also the chops to fully back it up.

All That Remains vocalist Phil Labonte pops in for a highly tuneful guest appearance on the stellar track “Homecoming” and it is here that the group’s ability to fully rock out becomes crystal clear. An engaging, bone-crushing riff powers the cut, while Miller delivers a brusque, ominous presence. An enormous hardcore breakdown here says metalcore all the way, but the band abruptly switch gears into a dream-state melody that takes the track to an exceedingly brilliant coda.

The Autumn Offering avoid cliché verse-chorus-verse arrangements, instead opting to construct their music for maximum impact, with a plethora of variances between the musical interludes. Not only does this band grab your attention, they keep it for the life of the record, a quality that is difficult to come by.

This re-release stands as more than something to build attention for the group’s new album (which hits the shelves in May). Any album that is so intricate, articulately entertaining and most importantly, gigantically heavy is one that does not merely deserve of the fans’ attention. It demands it.


ERIN FOX © 2005 - ALL RIGHTS RESERVED

THE AUTUMN OFFERING - Embrace The Gutter


THE AUTUMN OFFERING
Embrace The Gutter
Victory Records
10/10




Exceeding all expectations, The Autumn Offering bursts forth with “Embrace The Gutter,” a monumental record packed with more head-smashing tonnage than one could have ever anticipated after hearing their Stillborn debut, “Revelations Of The Unsung.” When the band launches into the blissfully mighty “Decay,” their status as heir apparent to the metal throne becomes painfully obvious. A raging mass of uncontrollable ferocity, the track thrives on emboldening, Slayer-strength riffage and the forceful growls of frontman Dennis Miller, who is instantly emerging as one of the finest screamers in metal. Mosh-worthy, razor-edged riffs give way to blustery blasts before the band breaks things down in stop-start fashion with a substantial fury being emitted by drummer Nick Gelyon. This youngster has such wickedly fast feet; you’ll be half-dead dizzy from hearing his complex double-kick barrages. The guitar team of Tommy Church and Matt Johnson tear away at their fretboards like true metal madmen on the beefy, forceful “The Yearning” as Miller spits pure vocal venom.

From Summon’s “As The Blood Runs Black” to Trivium’s mind-blowing “Ascendancy,” we’ve heard Jason Suecof progress greatly as a producer and in 2006, Suecof is undoubtedly the hottest, most sought-after knob-twister in all of heavy metal. Chalk up another production masterpiece for the esteemed studio wizard, with the vicious guitar tones, well-rounded mix and absolutely stellar drum tones herein topping even “Ascendancy” in their ability to relay the perfect balance of pure, unadulterated metal that The Autumn Offering so effortlessly serves in generous portions.

Church and Johnson shred with such confidence of the album’s title track, that it’s downright jaw-dropping, while as Miller unfurls a testosterone-filled bellow during the track’s insidiously ear-catching chorus, there can be no denying that Victory Records has generated a de facto coup de tat in snatching up this blazing hot young metal act. The Autumn Offering has built upon the type of unabashed aggressiveness espoused by bands like label mates Darkest Hour and completely ran away with it. The final result is a sound that’s heavy and melodic, yet never anything except purely intense. Suecof himself chimes in with a fretboard shredding solo here that further adds to the intensity of the cut. Bassist Sean Robbins will floor you with his crushing performance here

The killing spree continues on the energy-filled crushing number “Ghost” where Johnson and Church team up for the greatest tandem melodic solo this side of Murray and Smith, and the massively detuned, chugging outro that follows is anything but stereotypical. What it is though, is goddamn heavy metal designed to bust your eardrums on impact. As the band rips through the roaring thunder of “Misery” and the technical brilliance of “This Future Disease,” Miller’s adrenaline-filled, bassy belching grows even angrier and on the later, the vocalist opts to keep things hard and heavy as opposed to resorting to emo-tinged melodic singing. This fact alone gives The Autumn Offering more credibility than ninety percent of the new metal groups out there. An excellent lead kicks off “One Last Thrill,” which has one of the most ear-striking choruses on the entire record. If metalheads are not incited to mosh when hearing this track in concert, they should be ousted from the venue. Music this heavy commands you to mosh; you simply have no other choice.

“No End In Sight” shows masterful songwriting skills and is packed with face-ripping leads to boot. Miller’s gruff attack is relentless, and the mighty rhythms never let up. As The Autumn Offering launch into “Walk The Line” a variety of old school thrash influences come to mind, yet are eradicated by the group’s monstrous aural presence. The band’s music literally leaps from the speakers and grips you by the throat here, whilst the album’s closer, “The Final Cut,” gracefully slashes it from ear to ear with a doom-laden, highly befitting metal epitaph. Hell, yeah.

Make no mistake, “Embrace The Gutter” is one of the shining achievements of heavy metal in 2006, as yet unrivaled in terms sheer, unrestrained fortitude. It’s a bit early to make the call on the greatest effort of the year, as there’s plenty more metal to be released in the second half of ’06, but this album is a Top 10 choice all the way. These young killers are most damn sure out for blood with this beast of a metal record, so heed the call and embrace the fucking gutter.


ERIN FOX © 2006 - ALL RIGHTS RESERVED